I believe I've mentioned previously how I spent many of my Saturday mornings as a kid glued to the television watching cartoons, and how most of those were themed around comics or superheroes. There were a few years when that included a Flash Gordon cartoon, that looked exciting and different from just about everything else on TV at the time. It also infuriated me to no end.
I thought that was fantastic. It seemed a lot more adult than the short, fifteen-minute adventures the Super Friends were getting into. The serial nature, while still fairly simplistic, meant that you had to follow for an extended period. There never seemed to be any condescension towards the audience, and the writers let the action unfold more naturally without a lot of unnecessary exposition.
So why did the show infuriate me?
Because the network never aired the episodes in order. At least not by the time I discovered it. It was very apparent, too, because the title of each episode was given up front with the chapter number.
When I first caught the show, I thought my problem was just getting to watch it every week. It came on at 11:30, I think, and I'd often get called away for lunch before it was over. Sometimes just as it was about to start. But I made a stead-fast determination once to pay close attention and ensure I at least kept track of the chapter numbers and titles for a few weeks, even if I couldn't see the whole episode. Sure enough, it jumped from 6 to 9 to 15 to 3 to...
Oh, there was usually a quick summary of what happened on the previous episode at the start of each one, so it wouldn't take that much to follow along out of order, but I was so irked at that they weren't showing them in order in the first place, I didn't really bother to sort it out. I think I ultimately only watched a handful of episodes in total.
Some decades later, I find the whole series is available for free on Hulu. I have to say that it really was an incredibly well-done series. It's not hard to spot the cost-cutting (not only re-using the rotoscoping from character to character, but I recall some of it being used in Filmation's Tarzan cartoon as well) but much of it was done very creatively to for dramatic effect. The spaceships in particular are fantastic.
(I've since learned that the spaceships were done by creating actual models of the ships, and painting them white with black outlines drawn right along the model's edges. These were then filmed normally against a white background. The frames of the film were then printed onto the animation cells and colored by hand. The effect is that the ship looks like traditional, flat animation, but the changing perspectives and rotations are done much more smoothly than any hand-drawn attempt. Here again, sequences are often reused, but they're creatively cut or jointed with other animations that it's not quite as blatant.)
More significantly, the story holds up very well. It does have a number of those pulp-y plot coincidences -- owing a great deal to creator Alex Raymond's original stories -- but there's some interesting things going on. Character morals are rarely black and white, and the dynamics among them relatively nuanced, especially for a Saturday morning cartoon.
I was happy to find it online to see if it held up as well as my imagination remembered it, and I was even more happy to see that my recollection wasn't even doing the show justice. It's well worth taking a look if you haven't seen it recently.
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