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Since I'm in the Chicago marathon today, it seemed like a prime opportunity to run (heh heh) a review of Boaz Yakin's and Joe Infurnari's graphic novel, Marathon, telling the story of the original run that inspired the race.

The basic story is that the Persians are coming to attack Athens. The messenger Eucles is sent to Sparta to ask for help. When they decline, citing a religious celebration, Eucles then runs back to Athens, picks up a sword and fights along his brethren at the coastal city of Marathon. The Athenians manage to drive the Persians back to their ships, but they soon realize that the Persians are now heading directly to Athens, currently unguarded. Eucles is then tapped to race back to Athens to warn them of the impending attack. He arrives in time, and the remaining Athenians (primarily the elderly, women, and children) manage to trick the Persian fleet into thinking they are all well-armed soldiers. The Persians sail away, defeated, but Eucles is only able to revel in his achievements for a few moments before his dying breath.

The legend dates back to 490 BC. Herodotus, writing a few decades later, did talk of a runner named Pheidippides who made the Athens-Sparta run (around 150 miles) in two days. He made no mention of the subsequent Marathon-Athens run (another 26 miles). The first mention of the Marathon-Athens run doesn't occur until Plutarch writes about it about 400-some years after Herodotus, and the hero of Plutarch's story is a man named Eukles. While there's enough corroborating evidence to suggest Pheidippides was a real person, Eukles is a bit more suspect and combining his story with Pheidippides' definitely amounts to a work of fiction. It makes for a fantastic story, but it's more fiction than fact.

Which means that, yes, today I'm running 26.2 miles because somebody once told a story about how cool this fictional Eukles guy was.

But back to the Yakin/Infurnari book!

I think one of the things that Americans here in the 21st century have trouble understanding is the deep sense of "nationalism" that was cultivated in ancient Greek city-states. The sense of being Athenian (or Spartan or whatever) was often paramount over any other sense of identity. To mitigate that possible disconnect, Yakin smartly adds something of an "origin" for Eucles to make the later Persian attack a very personal one. There's also some set-up to make Eucles' achievements more emotional than physical; yes, the man's endurance and determination is laudable on its own merits, but he gets more satisfaction from winning over the respect of former childhood adversaries.

The story is also built up so it's not JUST about Eucles. He's certainly the lead character here, but there's some interesting things going on with Hippias (the primary antagonist) and Philon (his son and second in command), not to mention a little with the side characters. For as simple and straightforward as the original tale is, this adds some nice texture to it.

There's also a bit from the legends that say Pheidippides met Pan on his Athens-Sparta run, and Pan later helped at Marathon by inciting a sort of blind panic among the invading Persians. In the book, though, things are kept decidedly more mortal. Eucles, exhausted and dehydrated, thinks he sees Pan about halfway on his trip to Marathon but it turns out to be only a goat that inadvertently shows him to water and a shortcut. And instead of Pan, it is Eucles who helps to raise a sense of fear among the Persians by setting an inspiring pace for the Athenians.

Infurnari's art is pretty solid. There's a sketchy quality to his line, which helps to emphasize Eucles' almost constant state of motion. Most of the book is printed with a sepia tone look, and there's an interesting change-up by making the flashbacks in black and white. There were a few scenes that got a little harder to follow since all the soldiers were wearing the same uniform, which included face-covering helmets. Historically, pretty accurate, I think, but it made some of the fight scenes a bit more difficult to follow.

That said, I would've liked to have seen the book printed at a slightly larger physical size. I would like to be able to see some more of the detail that Infurnati put in, and I think some of that gets lost here. It's a comfortable size to hold currently, but I guess you have to weigh how much you want to study the art versus how comfortable it is to read on a train.

I have to admit to having a difficult time following the specifics of the battle plans as well. I'm sure this is in part because I'm rubbish with military strategy in the first place, and in part because I was reading the book at 6:30 in the morning. But it wasn't until almost the very end of the book that I figured out why the Persians weren't going to Athens in the first place, and why the Athenians met them in Marathon, and what the hell does Sparta have to do with any of this anyway? I don't know that following that all is critical to one's perception of the story, as long as you get that you're supposed to root for Eucles and whatever side he's on. The story mostly follows him after all.

All in all, a good book. Not to mention that it tells an excellent story that can provide a little historical background when you run into crazy people like myself who will run 26 miles even when they're not being chased by a platoon of Persian soldiers! And for those of you who run marathons yourself, it's a good perspective on how you're getting off easy compared to the guy who made that first run!

Kung Fu Tai Chi magazine to be more precise. They just sent me a signed and sketch-marked copy of Gene Luen Yang's Boxers and Saints.

This is why I enter so many comics related contests.

Remember back in July when I sent my nephews vinyl wall decals of themselves as superheroes? It works for nieces, too, although you do have to be careful not to get a superheroine in an overtly sexual pose. Because that would be REALLY weird and creepy from Uncle Sean!
  • Remember Wowio? Digital publisher that had some financial problems a few years back? They're still around and just released their most recent SEC filings this week. I just scanned through a bit of it, but what stood out to me: "Although the Company was formed in 2005, it is still a developing business and although it is generating minimal revenue, it is not yet profitable. There can be no assurance at this time that we will operate profitably or that we will have adequate working capital to meet our obligations as they become due."
  • David O'Connell points us to a notification of WASP 2014. What is WASP, you ask? The Webcomic Artist Swap Project. Kind of like a guest comic day, but the creators only switch around on art duties -- the original creator still writes their own strip.
  • On a more historical note, Robert Beerbohm points us to this extensive biography of Pop Hollinger, who opened the first comic book shop. In the 1930s!!!
So in kicking around ideas for my comic library, it occurred to me that I need a new mousepad. My old one was a pretty simple black one with a gel wrist-rest, but probably 15 years old and looking pretty ratty. But today, I've got the option to get essentially a custom mousepad with anything I like on the surface. So why not get something comic themed, right?

Ah, but what?

I don't want my library to be a superhero shrine or devoted to any one genre like you see in many comic shelf porn posts. Just not what I'm going for overall. I will have superheroes represented, certainly, but there will original art from at least a few webcomics, a couple independent and manga character statues, among other items. I've got a "Kleefeld" judge's badge and a large wall decal of Asterix and Obelix too. I'm trying to get a good mix of things going here.

In kicking around ideas for a mousepad image, it dawned on me that I could use a fairly generic graphic that's almost entirely indicative of comics, without pointing to a single one. Here it is embedded on Amazing Adventures #37...
As I'm sure you figured out by the title of this post, I'm talking about the "Still Only 25¢" blurb.

I was thinking about this and comics are one of the few things that you could continue to buy for a quarter within recent memory. The only other similarly priced item I could thing of was a phone call at public telephone, but they never really used to advertise the price as a big selling point. Certainly not with large yellow starbursts. "Still Only 25¢" is essentially unique to comics.

And, hey, sure enough, somebody's already got that same idea!

Maybe it's a compeletely minor, if not totally insignificant, point but I find the iconography of comics -- especially when it's unintentional -- fascinating.
There was a period, back in the late '90s/early '00s, when I considered the notion of writing comics professionally. I did eventually realize that I'm simply not that good writing fiction, and what I'm interested in saying with my writing can be better expressed without using broad metaphors like superheroes or sci-fi or whatever. But while I was toying with the notion of becoming a pro, I used a few tactics to increase my visibility. One of which was letterhacking.

This was back in the day, of course, when publishers still regularly ran letter columns. Each issue they'd print between four and six letters from fans, and often a short response from the editor. I knew that editors weren't reading my submissions -- I'd actually called and asked for critiques after sending in several -- but I knew they read all the letters. So my goal in submitted letters was to get my name in front the editors, and show that I could at least string together a series of coherent sentences.

To a degree, it worked. I heard second-hand later that my name was in fact recognized around some of the offices, and was once even brought up out of context of letter-writing. Of course, that never panned out to a job as a comic author, but that's partially due to both DC and Marvel discontinuing publishing letters around that time and my realization that I wasn't actually good at fiction.

But that said, I did wind up with a number of letters published over the years. I even had a string of a few months where I was averaging a published letter every other week! I was almost a celebrity at my local comic shop of the time.

Anyway, in being reminded of all this, I thought I'd throw up a quick cover gallery of the issues I know I've been published in. I might be missing a few as I didn't bother keeping track at the time, and I think there's a couple more issues in which I'm referenced on the letters page without actually having my letter published. But, if you're curious, here is in no particular order where you can find a few of my 10+ year old thoughts on various comics...
Taken from a 1977 comic, here's an ad for an air rifle...
OK, let's set aside the "selling guns to kids" issues -- and make no mistake, this ad is targeted to kids; note the "Show Mom and Dad how you can..." lines. After all, this was still the 1970s, and we didn't have the child safety concerns we do today.

But even leaving that aside, who the hell thought advertising that you should fire your guns in the house was a good idea? "Coleman's bringing the fun indoors with the finest air guns and exciting target games!" Setting aside the "you'll shoot your eye out" arguements, wouldn't there be concerns of, say, just missing the target and breaking Mom's good dinnerware? Or a lamp? When, in America's gun-loving history, was firing inside the house considered ever considered safe? How does this make any sense?

Amazing how comics can act as windows to the social mores of days gone by. Even if the campaign was a complete failure, it's fascinating to see that at least someone felt it would be a socially acceptable idea.