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T'Challa changed his name to "Black Leopard" for one issue back in 1972. A few years ago, I wrote a little to put that name change in context and speculated on why it was for only a single issue. I liked the piece and felt it was worth revisiting this month...

Black Panther famously debuted in Fantastic Four #52 in 1966. He preceded the Black Panther party by a few months. As far as I've been able to determine, that the Black Panthers used that name had no relation to the Marvel character in any capacity; it was just a bit of circumstance.

The Black Panther character (whom I'll refer to as T'Challa to avoid confusion) became something of a surprising regular in Marvel comics. After a year of sporadic appearances in Fantastic Four, he pops up with Captain America over in Tales of Suspense throughout 1968 before becoming a regular in Avengers through 1975.

Meanwhile, the Black Panther party gained a lot of media attention. Although it was initially founded to monitor police activity after a spate of police brutality against Blacks, they soon established themselves as a movement to uplift Blacks as a whole, instituting a variety of social programs in predominantly Black neighborhoods. Free breakfast programs, health clinics, and the like. However, FBI Director J. Edgar Hoover took exception to them and launched a no-holds-barred campaign to dissolve the group. Many of Hoover's directions were flatly illegal, and even included assassinations of some top leaders. But because he had the backing of the government, much of what he did was given a pass and the media blindly bought into his claim that they were "the greatest threat to the internal security of the country."

Investigations on Hoover's claims were non-existent until well after the party's demise, thus the public was fed a great deal of misinformation throughout the 1970s, giving the Panthers a decidedly negative public image. So in that light, it's somewhat surprising that Marvel -- a company of white men catering primarily to white boys and men -- not only kept T'Challa around, but used him fairly regularly. Even if they were making an active choice to be a progressive comic book company by featuring a primary Black character, the name had some poor connotations, thanks to the media.

What isn't surprising, then, is that in Fantastic Four #119 from 1972, T'Challa announces he's changing his name to Black Leopard, specifically to avoid any "political connotations."
Presumably, because of not-exactly-pinpoint publishing scheduling, writer Roy Thomas -- who happened to be writing both Fantastic Four and Avengers at the time -- largely avoids either name over in Avengers, simply referring to the character as T'Challa for several issues.

Now, whether Thomas opted to make the change on his own, or if it was a directive from someone else at Marvel, I can't say. My guess (based only what what I know of Thomas and not on any actual evidence) is that it was a passing comment made by Stan Lee, and Thomas squeezed it into whichever book he was working on at the time. While not exactly corroborating evidence, it is worth mentioning that "Black Leopard" is never used outside that one Fantastic Four story, and T'Challa returns to "Black Panther" without comment a few months later back in Avengers. That hardly seems like something that would happen if Thomas himself wanted to make the change based on whatever political and/or creative ideas he himself had.

I think "Black Leopard" was a bad idea. Although "Black Panther" had some negative connotations in some circles, the more progressive readers Marvel was trying to cater to held a more favorable (or at least, not as negative) view, plus it was a great draw for Black readers, since DC had no Black superheroes at the time. (Green Lantern John Stewart didn't debut until the same time that FF #119 came out.) Not only could Black readers see a character that looked like them in a Marvel comic, but his name evoked a lot of power and pride in his skin color. The character of T'Challa is an impressive one as it is, especially considering the time and socio-politico climate when he debuted, but deliberately referencing another group of powerful real-world heroes (to the Black community) made him all the more impressive. It would seem that Thomas appeared to recognize that, fortunately, and "Black Leopard" remains a very minor footnote in T'Challa's long history.
Photo by Jesse Grant / Stringer/ Getty Images
When talking about creators who've worked on Black Panther recently, it of course makes sense that Jack Kirby (and Stan Lee) get called up as creating the character in the first place. Christopher Priest comes up regularly as much of the approach that is used in the movie stems from his take on the character, and Ta-Nehisi Coates certainly comes up as a well-known and very recent author of Panther's exploits. Don McGregor occasionally comes up, but his artistic partner on the first real series to flesh out Black Panther's world is often glossed over. While Billy Graham wasn't the initial artist on the Panther stories in Jungle Action, he was the one who provided the most long-lasting and compelling visuals for the run.

Graham was born in 1935 and went to New York City's Music & Art High School. His earliest comics work was in the late 1960s for Warren's horror comics, including Vampirella #1. Publisher James Warren promoted him to art director soon after...
I sensed Billy had the ability to handle it; certain artists and writers are great but they can't shift out of their specialty and do something else. Billy could. So I said, 'Billy, you are now art director! Whether you like it or not.' Now you have to understand that all Billy wanted to do his whole life was just be Jack Kirby. I said, ' You'll be the Black Jack Kirby, but not today! Today you are art director of Warren Publishing.'
Graham wasn't in that position very long, however, heading over to Marvel to work as inker on the debut issue of Luke Cage, Hero for Hire. He took over as penciller with #4 and writer Steve Englehart noted that he did a lot of the story work as well, even getting a co-writer credit for the final two issues.

Graham began working on Jungle Action with #10 and continuing through #22. His work included showing the death of Erik Killmonger and an extended story that pit T'Challa against the Ku Klux Klan. A lot of work was put into fleshing out Wakanda, and showcasing different villages within the country.

He gravitated away from superheroes in the 1980s, working on the early issues of Eclipse, and teaming up again with McGregor on Sabre after Paul Gulacy left after only two issues. That team-up continued as McGregor filmed a low-budget movie version of Detectives Inc. in 1985, casting Graham as one of the leads. (McGregor actually had some prior acting experience, doing some commercial work at least as far back as 1974.)

By the 1990s, he was largely out of comics and seemed to focus more on commercial illustration work, even doing some of the courtroom sketch artist pieces for Law & Order. One of the last things he was working on before he passed away in 1999 was a novel and screenplay called Lucky Ace which he described...
A tongue-in-cheek action comedy screenplay about a high-living, BLACK Vietnam vet, now an eccentric limousine driver who has EPISODIC ADVENTURES after he's drafted into the C.I.A.
For as short a run as Graham had working on the Black Panther, it remains incredibly powerful and many comic artists today cite his as their definitive version of the character. The work has been reprinted in Marvel Masterworks, Essentials, and Epic Collection formats, any one of them worth picking up!

(Also, I should point out that Graham's immediate family recently started Twitter and Facebook accounts in his name, and have been sharing art and rare photos. The image I'm using here comes from them.)
As you may or may not know, Marvel has its own branded credit card. It works as a MasterCard, so you're not limited to using it to only buy Marvel-related merchandise, but you can use it anywhere MasterCard is accepted, although you do get extra cashback rewards for shopping at Marvel and other entertainment venues. Interestingly, they launched with five different card designs and you could choose which you preferred. More interestingly, they began swapping out designs to tie in with other promotions. They had a Guardians of the Galaxy card available when that movie came out for example. Right now, they have a Black Panther design available, obviously playing in to the Black Panther movie release in a couple weeks.

I actually know some people who work on the marketing for the card, and actually heard about this last fall. Nothing was final at that time, and they were debating whether to release a Black Panther design or a Punisher skull logo design. (The thinking being that a Punisher design would heavily cater to an NRA-type crowd.) I argued very strongly that a BP design would go over well, and that the movie is going to be a much bigger success than the marketing people are predicting. They said they'd take my argument under consideration, but whichever they went with wouldn't be available until January regardless.

I hadn't heard anything on their decision after that, so I checked out the site a couple weeks ago only to find that there was indeed a Punisher design available. I was disappointed, and I had intended to write about that here today. But when I did a quick Google search to get a card image, I spotted a piece of card art with T'Challa on it. I clicked through to Marvel's official card site, and indeed, there's a Black Panther design front and center! Apparently, they decided to launch both!

So if I were you, I would take this opportunity to head over to their site and apply for a Black Panther credit card. In the first place, you'll be sending a message to Marvel that he's a better character than Punisher and, in the second place, it'll just look frickin' cool in your wallet!
Here are this week's links to what I've had published recently...

Kleefeld on Comics: On Business: A Mysterious Comics Company?
http://ift.tt/2BAu9Ni

Kleefeld on Comics: On History: Cut-Out Promos?
http://ift.tt/2BEdqsj

Patreon: MTV Geek Classic: Kleefeld On Webcomics #67: The Buffer
https://t.co/geK7cq5sNS

Kleefeld on Comics: Weekly Comics Links
http://ift.tt/2E2tkSA

FreakSugar: Webcomics Wednesday: This is a Webcomic?
http://ift.tt/2E2DeDK

Kleefeld on Comics: On -isms: It's Black Panther Month
http://ift.tt/2s4qxUn

Patreon: MTV Geek Classic: Kleefeld On Webcomics #68: Of Eisners and Harveys
https://t.co/geK7cq5sNS

Kleefeld on Comics: On Strips: BP #20 Review
http://ift.tt/2DV00dA

As I mentioned yesterday, this month I'll be trying to focus all of my posts on the Black Panther to celebrate the movie coming out in a couple weeks. Most of my topics I don't think will pose any problems. The character certainly has plenty of History, there's plenty of Business angles to discuss, the character has built-in "-isms" all over the place, and with the movie hype, I don't doubt there will be a good amount of Panther-related Links to post on Wednesdays.

My "On Strips" pieces might be a tad more challenging. Not only has T'Challa never carried his own comic strip, but I can't even seem to find any instance of him every appearing in one. Not the long-running Spider-Man strip, the short-lived Hulk strip, or even as just a joke/gag character appearing in some other comic for humorous effect. I'm going to keep digging throughout the month, though, and we'll see what I can find.

Today, though, I do have something interesting. It's a comic strip that I wrote/drew back in the day that reviewed Black Panther #20 circa 2000. As I recall, I had been doing the letterhack thing for a year or so, and had gotten pretty decent at it. I seem to recall figuring I had a letter published on average every other week for at least 6 or 8 months. And while I hadn't gotten bored with that, I did want to up my game a bit. So I thought I would try composing my letters as comics. There was definitely a heavy Fred Hembeck influence there, setting myself up as the primary character who talked with the heroes, who were well aware of their role as comic book superheroes.

I seem to recall only doing a handful of these. Partially because I'm not that great of an artist and they were very time-consuming, but also Marvel started dropping their letter columns altogether anyway. Ultimately, none of my strips were ever published. (No great surprise there.) I probably have the original Adobe Illustrator files burned on a CD somewhere, but for your viewing purposes, I did find this JPG of what I sent off to Marvel shortly after the issue came out...
As much as I enjoyed Christopher Priest's run on the book (I think Black Panther was the title where I had the most letters published) I think it's still a very valid point that I raised in the comic about trying to build suspense about a character's death when all of the guest stars have defied death already. (For the record, though, Black Panther wasn't back among the living until the issue after the next one.)
As you might have heard, the Black Panther movie opens later this month. As I've been telling people since at least August 2016, there is a lot of excitement around this film. Remember when Beyoncé dropped her Lemonade album and all her fans went nuts? And then she performed at the Super Bowl and their cheers got even louder? And the Kendrick Lamar did that absolutely killer performance at the Grammys and Black people about lost their shit because that was one of the best Black History Months ever?

Yeah, that's going to happen again this month.

Because while Beyoncé is an incredibly powerful crossover artist, Lemonade was successful mostly because of her specifically. She wrote it, she produced it, she sang it. While she definitely had input from others, it's very much her work.

Panther, by contrast, is very much a group effort. And, more significantly, a BLACK group effort. There are prominent Black artists working all up and down this movie, including a soundtrack provided by Lamar. So the movie celebrates not only Blackness but a diversity of Blackness. And it does so with, by every account I've seen, an incredible array of talent. Have you heard that adage that a Black person has to work twice as hard to earn half the recognition of a white person? Black Panther looks like everyone heard that, and worked eight times as hard because damn if they were going to let anyone consider this movie anything less than stellar!

So between the movie and Lamar's soundtrack and whatever else is going on for Black History Month, this is going to provide some major empowerment to Black America. And I want to celebrate that in my own humble way, so my intention here (and frankly, I'm not sure how well I'll be able to pull this off) is to focus every day's blog posts throughout February on something around Black Panther.

Let's make February 2018 the biggest celebration of its kind! Let's make February 2018 a month where people who don't pay attention to this type of thing can't help but take notice! Let's make February 2018 the best Black History Month full stop!

WAKANDA FOREVER!